Red from Ripface Invasion knew about the future even back in the 90′s. I’m not talking about the monsters from outer space taking over Earth and the handful of elite commandos left to fight back, of whom one remains alive (the story of the band’s comic book mascot, Ripface Meltech).
Almost two decades ago, in his teens, when Red was turning his now legendary band I.D.K. into local leaders of hardcore despite the fact that their sound defied the genre, he knew that eventually the mystery of the mainstream way of making music was going to be gone. Red knew the curtain maintaining the myth of the wizard behind it was going to be drawn, exposing an old company man talking into a marketing machine. He knew that the survivors, after the smoke cleared, would be those who, like him, knew how to do it all themselves.
The timing is perfect because hero worship is over. Hollywood wonders why this is its worst box office year ever… It’s because the whole world is at a punk show now, a punk show in every medium, on the Internet. It is an audience that is bent on making it as entertainers against all odds. Red has been singing to that audience since they were cutting classes and taking the dollar bus to the city.
Friday, January 6, 2012
From New Wave and the Art of Heroin Maintenance,
Final Letter to the Trash Can VIII
by Sebastian Briglia
When I was in the heroin study at Columbia Presbyterian in Manhattan, the first two weeks were dedicated to detoxing, just to get everyone involved on the same page. With two clean weeks under my belt, after taking cognitive tests on a computer in a lab with a double mirror, along with three other participants, I was about to be given a sample dose.
This dose could have been of three possible strengths: placebo, medium (which basically meant placebo mixed with the real stuff), and strong. After the sample, there was another computer test. There were scales on the screen, of the type Lady Justice bears, though she was absent. Instead, on one side there was a stack of cash, and on the other a pile of powder. If we wanted more of the dose after the sample, we would click on the side with the powder. The more we clicked, the closer we got to the maximum. If we didn't want more, we would click the stack of cash and we would get paid up to an extra $20 for the session. If we had the same amount of clicks on each side, we could get half the extra money and half the extra drugs.
Either way, a lot of frantic clicking was involved. I eventually developed my own technique, where my hand just vibrated on the mouse. The first time we did this, just before the sample, I assessed how I felt and decided that I didn't want to feel any different. I supposed if the heroin was real, it would just add another feeling to the contentment I felt. It was real, and I was wrong. After I sniffed it and it trickled down the back of my throat in the lab, much like after I shot it in the hostel in Vancouver and tasted it in the capillaries of my tongue, one thought came to my mind. The thought was:
"I feel so much better."
"Better than what?" I would ask myself. Just before the fix I had been off smack for long enough torealize that I was content. That realization, however, was suddenly as distant as a childhood memory. The sole drive in my life had become to feel better, again. Better meant for my eyelids to perpetually be relaxed, for dream and reality to blend, for a perpetual massage to crawl through my body, especially when I let my head nod. It seemed like it was what every other experience in life had led up to. I had heard people speak of a certain unreachable something that life leads up to, a mysterious forward drive that goes beyond children and a secure family life. For me it was heroin. And it would constantly go beyond itself when I wasn't high enough. Everything else served to bring it out. To highlight it. To create a drama around it.
Once addicted to drugs, I was sure purity was unattainable. To me, as an addict, heroin was practical because at least it seemed attainable. I would just pretend I did it once in a while to keep life interesting. Often it would fail to keep life interesting, which is probably why I was frequently moody on heroin. I would not have any tolerance for anybody, including myself, who implied that I did not feel better than before while on it.
Inhale deeply, arms--out more,
Do not hurry--three and four!
Grace and pliability are emphasized!
All around conditioning,
And hangover quickening,
If you're still alive and fidgeting-
Exercise!
If you're working out at home,
Do lie down!--three and four!
Correctly go through every single motion!
Lose the tension that you feel,
Get accustomed to the drill!
Inhale deeply right until...
Exhaustion!
Quickly growing 'round the world--
Flu and illness--three and four!
The disease is gradually flourishing!
If you're weak--straight to the grave!
If you want your wellness saved,
With a towel rub yourself,
It's nourishing!
If already you feel spent,
Sit and stand, sit and stand--
Do not fear the Arctic and Antarctic!
Our main scholar Dr. Joffe
Proved to us that booze and coffee
Will be replaced by athletic prophy--
--lactic
All the talking should be stopped
Keep on squatting 'till you drop
Do not be such gloomy creatures!
If you cannot hold your ardor
Rub yourself with something harder
In the water, you can start the
Drilled procedures
We're not scared of doltish talk--
In response we run and walk,--
Amateurs--triumphant from the start!
Beautiful!--right from beginning
No one's losing, no one's winning
Stationary running is bringing
Peace to hearts!
What you will hear as the soundtrack of my Halloween video is the post-apocalyptic sound of a Gas Can Three-String Fretless Guitar. I recorded it with no real equipment and let the bathroom acoustics and video-editing accidents take care of the effects. The guitar itself is a prototype by Thomas Shelley, an old friend who sent it to me as a wedding present. He is a director at macheteMACHETE Contemporary Art (http://www.machetemachete.com/).
Halloween is usually quite a production in my young family, but not this year. My wife got sick and we remained unmasked. No way I could have outdone last year's Ziggy Stardust with the wax in my eyebrows failing to make them look shaved and completely succeeding in giving me a Neanderthal Transvestite look...
Before she got sick I had suggested that we go out without dressing up for a change. She did not want to go to a party without a costume. "Have you ever spoken to those people?" she asked, meaning the unmasked ones. Of course if I did speak to them, I don't remember. Not the way I remember a Where the Wild Things Are "Wild Thing" exclusively invite us to a party the year we dressed like robots...
Among those willing to shatter their image, those who cling to theirs may, in fact appear boring. On my way to work at night in New York on Halloween in the subway I was in fact one of the very few representing "those people." Somehow I did not feel boring. I sort of fell into the role of the observer. I could stare at whoever I wanted, take a video of them, and they would appreciate it. Of course I didn't go for the posed pictures. You'll notice most of the clips in the video are candid. I made sure the masked weren't all trees in the forest that no being that is not fictional has seen. Being the only being that I'm sure enough is not fictional (when I'm not blogging), perhaps I should pretend every day is Halloween. It's not so hard to do that in New York.
Occupy Wall Street did not seem to have any Halloween decorations. When I stopped by really early in the morning after work I only saw two people that may have been dressed up. One had an oversized Afro and the other one had a French Resistance costume on - a beret and a red arm band. Unless... Wait, there was one guy with a home-made fox mask on. That was definitely a Halloween thing!
Wednesday, October 26, 2011
I wrote a piece for teamawesomenyc.com called Morning at Zuccotti Park about the Occupy Wall Street movement. I edited some of the video footage I got to the tune of Anisette, a song I of mine from when I was in a band called The Habit. The music is circa 2000 and features Alexander Torres on vocals and bass, Joshua Robinson on drums and me on guitar. The guy who does most of the talking is Michael Angelo Bosch, an activist with a very informative website, michaelangelobosch.com. Below is an excerpt from the article. To see the whole thing go to teamawesomenyc.com (it should be up soon):
"So what is happening in this country that we need to change? As I understand journalism, a blog entry is an opinion piece, so here are a few ranting paragraphs filled with my own opinion (it’s a sort of a landslide so brace yourselves):
A man in a Guy Fawkes mask held up a sign by the entrance at the lowest point of Zuccotti Park, by the Freedom Tower site. It read: “What is our Demand? Better Health Care, Decent Wages, Stop High Mortgages, No More Rent Hikes, Racial and Sexual Equality, Leaders that Represent the People, No More Useless Wars, Balance the F**king Budget, Education + More.” I would have easily dismissed such a list of demands as too general, a “sludge” of “every left-wing cause,” as Fox News producer Jesse Watters said on the O’Rilley Factor. I would have rationalized that it’s not so simple, although having no training in economics none of this can possibly be simple to me. It would have been easy to do that if a few of these topics did not incidentally drop into my life around this time:
Rent Hikes. I left the ghetto a year ago even though our landlord offered us a lease without an increase. I didn’t realize how “gracious” this was until this year, though even if I had I still wouldn’t have put up with death-threats from our drunk neighbors who were simply drowning their disappointments in their own way... This year our rent went up. My salary did not. It hasn’t in almost four years. I’m young, so this was the first time I realized how important a cost of living yearly increase is. We asked for a raise at work and were told that because of the economy, nobody is getting one. I did the research, and as far as our income bracket was concerned, they were right. “Decent Wages” - check.
I called the landlord and told her this, and she said that it’s not up to them. The Rent Control Board has authorized the rent hike. I guess it seemed obvious to her that she would increase the rent as much as she could, and although she took ten dollars off upon my phone call, it still went up. So here is a government commission authorizing owners to increase rent every year regardless of the economy and the interests of those affected by it. “Leadership that Represents the People” - check.
New York has a constant flow of wide-eyed youngsters who are willing to pay too much to get to live here, until they realize in a year that they can’t afford to, so the market is flooded. Much like the New York tour-bus industry, of which I was a part of, landlords don’t need to provide good customer service - the hype of the city itself assures anyone who has the capital to get into that kind of industry can do what they want. So much for the free market’s self regulation. And speaking of raises, the very employees we bailed out with our taxes, bank CEOs, are getting bonuses again. Phew. Enough about the issues. Back to the magic of Occupy Wall Street."
So I'm walking to work last night and a mature gentleman in a leather jacket asks me if I can buy him sugar and butter. He's holding up DVDs in exchange. "I have oatmeal," he says. "You can't have oatmeal without butter and sugar." He has salt and pepper Afro-curls showing under his leather cap and a huge grin revealing no upper teeth. "I know it's embarrassing," he says, smiling, "but I have no teeth and oatmeal is all I can eat..." "It's not embarrassing," I say and immediately think "I don't think he meant embarrassing for me", proceeding to help him with his sugar and butter problem. I tell him he can keep the DVDs. Then I hear the sounds of a trumpet. I have my camera with me. There is a woman across the street dressed in high class, see-and-be-seen white night-club dress with high black boots and is walking a dog. "Strange attire for dog-walking," I think, and consider filming her, but I turn back on 39th Street and go film Yogi, the trumpet playing prophet on Seventh Avenue. He has a talent for putting everything in a nut shell. Besides, he exerts a certain gravitational field with his trumpet sound...
“It may not be there after today,” my colleague said when I told him I haven’t been to the occupation downtown. At first I had assumed it was just something to keep those same activists busy who perpetuate that never-ending avalanche of emails my tiny donations seem to have attracted to my inbox. After gay marriage was legalized I started to see subject lines that had to do with whales again, so I figured it was about time for the new big thing... Rent went up, my crew asked for a raise, and nothing evaporates nonchalance and cynicism faster than rejection. By then corporate greed did not seem like such a general slogan anymore. Having gotten into the habit of ignoring emails from activists, I had to go check out the occupation for myself, only I was being told that they may be tricked into leaving Zucotti Park under the pretext that it had to be cleaned. “3,000 people are waiting for the cops to kick them out,” my colleague said. I suppose no matter how long the cleaning got postponed, as long as the 3,000 were there that fact wouldn’t change. The first paragraph is bullshit. There were two reasons why I did not check out the demonstrations when they first happened. One was that I couldn’t picture myself getting into the atmosphere without drugs. I’ve been sober for going on six years, and I still don’t know if I can handle excitement in such a large group of people without them. The other reason was that footage of deputy-inspector Anthony Bologna, a.k.a. Tony Baloney as Jon Stewart called him, pepper spraying some women demonstrators. When my wife said she wanted to go check it out with some coworkers of hers I told her I’d be worried sick, so she didn’t go. Once I got some other people’s impressions I decided that it might not be that exciting or that dangerous. It was on the outskirts of the demonstration, on Broadway, across the street from the signs, next to Isamu Noguchi’s red cube, facing the black block alien obelisk of a building that is One Liberty Plaza, where chaotic feeling seemed to be concentrated. People who perhaps had planned to just be spectators were milling around, unsure, police officers in clusters, speeding police vehicles, bloggers conducting interviews with their tiny digital cameras. Some tourist-looking youngsters were noncommittally sitting on the sidewalk by the cube. I had planned to be a by-stander when I headed down there, but when I saw the dangerous charge surrounding the wishy washiness of those milling about, and when I felt the sort of serene decisiveness down the hill, across the street in the park, I decided against it. Something simple but important had been waiting for me down there. A reminder of something. I had started to feel it as soon as the subway passed Canal Street.
A short young South American had crossed just far enough into my personal space for me to notice it, and then proceeded to douse her hands in sanitizer. Despite the fact that there were empty spaces in the albeit crowded subway, the people were clustered and slightly smiling. Later the girl found a seat and I’m pretty sure started to speak to a random stranger. The short middle-aged guy with the bald spot and blue shirt seemed ready to do the same. It was like Bulgaria in ‘91. No, there are no subways in the sea-side city of Varna, but the crackling of pure potential was audible in the buses, on the marble plaza by the fountain in front of city hall, at the rallies - of course, all of that ended with a whimper. Corruption maintained its status quo in Bulgaria and fighting it had to be done in much more subtle ways... I wonder if enough of the people on Broadway that day had decided that America has run out of subtle ways, as far the majority of us, the consumers of dreams and education, are concerned. That fact hadn’t dawned on me until I crossed the street and entered the park through an opening in the police barricade.
